
Figure made ready to be put together.
By casting different parts of figures separately, he could rework the overall composition of a piece, without having to rework everything. Rodin joined his sculptural studies, or bozzetti (c.1890-1900), onto other figures through a process he called marcottage, generally leaving the joins visible in the finished sculpture, thus reviving the idea of non finito borrowed from Michelangelo.
Abattis are the elements attached to the marcottage.
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